This scene was also expanded immensely from both the novel and the script. The scene on the roof where Koyomi, bathed in the light of the sun, bursts into flames. Hiroki Yamamura’s oeuvre includes his work as Chief Animation Director on Puella Magi Madoka Magica the Movie Part III: Rebellion and as character designer for And Yet the Town Moves. Not quite on the level of rotoscoping, but something close to it.” Profile To make his movement more lifelike, I took video of someone doing the same thing and used it as a reference for my drawings. “My main responsibility as animation director was for the B-part of the film (from the point where Koyomi wakes up in the abandoned cram school), but I also drew key animation for the film’s opening act, up to the point where Koyomi climbs the spiral staircase. In the show itself, we can’t see Koyomi’s expression when the camera arcs around him, but it’s clearly depicted in the second key animation frame here.

Looking all around him, Koyomi steps out into the elevator hall/lobby.

It was expanded greatly between script and storyboard we follow Koyomi for a long time as he behaves in a frightened manner, as if he is being chased by something.

The scene at the start of the film where Koyomi is roaming around the abandoned cram school. Koyomi wandering around aimlessly (or “Koyomi loitering about”)

Materials translated here were published in the Kizumonogatari Visual Guide Book.

Kizumonogatari breasts pencil animation